You Can See Everything

2026 / 174 min R

You Can See Everything

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FLM.RED / After the credits

Who controls the story?

You Can See Everything discussed: access, reenactment and unanswered questions. Major spoilers.

Illustrated documentary interview setting with a camera, title and FLM.RED.
You Can See Everything · Cover illustration / FLM.RED
Open the recap & discussion — spoilers

Nathan Fielder and Lance Oppenheim’s documentary follows Elizabeth Holmes and Billy Evans while examining the filmmakers’ own access and assumptions.

The camera enters the home

Before Elizabeth Holmes begins her prison sentence for defrauding Theranos investors, she and her partner Billy Evans invite the filmmakers to document their lives. Fielder questions how much their apparent openness reveals.

The story continues after prison begins

After Holmes reports to prison, filming later follows Evans and his new company. The film presents Fielder’s concerns about access to Holmes and Evans’s role in her public image.

Amanda Seyfried returns as Holmes

The filmmakers use dramatized reenactments with Seyfried, who portrayed Holmes in The Dropout, for encounters they could not film. These scenes are reconstructions, so the film asks viewers to consider the choices involved in representing events.

The prison visit and its limits

Fielder visits Holmes and later recreates the conversation with Seyfried. The film presents Holmes as approving of Evans’s activities while remaining less specific about financial arrangements. Seyfried questions whether Fielder has become too attached to his subject.

No final answer about sincerity

Fielder and Seyfried do not reach a definitive conclusion about Holmes’s sincerity. On-screen text says Evans relinquished his documentary profit-sharing agreement before release.

The film’s unresolved ending invites discussion about the limits of access, reenactment and a filmmaker’s judgment; it does not settle every disputed claim made by its subjects.

Questions after watching

  • What can access to someone’s home show, and what can it leave hidden?
  • How do the labeled reenactments affect your trust in the film?
  • Does the film resolve Fielder’s questions about his own objectivity?

A documentary about access and representation

Its most revealing subject may be the difficulty of deciding what a camera and a reconstruction can prove.

Keep the conversation going

Who directs the film?

Nathan Fielder and Lance Oppenheim.

Why does Amanda Seyfried appear?

She participates in dramatized reenactments and discussion; she previously portrayed Holmes in The Dropout.

Does the film resolve every disputed claim?

No. It leaves questions about sincerity and access open.

The story

Overview

Thirty-four days before she's sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.

Behind the film

Production & story details

Status
Released
Original language
English (en)
Spoken languages
English (en)
Country of origin
United States (US)
Production countries
United States (US)
Budget (USD)
$7,000,000
Revenue (USD)
$45,145,476

Production companies

  • Blow Out ProductionsUnited States (US)
  • To Be FormedUnited States (US)
  • A24United States (US)

Story keywords

In front of the camera

Cast

View all 10

Through the lens

Images

You Can See EverythingYou Can See EverythingYou Can See EverythingYou Can See Everything
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Follow the connection

Where to go next.